
Cinderella Sanyu Okuyo
President
The Uganda Musicians Association protects, promotes and develops Uganda's music industry through advocacy, welfare, professional development and collaboration.
UMA represents musicians across Uganda, from emerging talent to established artists. We work for an industry where creators are valued, their rights are protected, and they can build sustainable careers.
Our work spans copyright and policy advocacy, welfare support, industry education, regional mobilisation, partnerships and platforms that connect musicians to opportunity.
To advocate for musicians' rights, provide education and capacity-building opportunities, facilitate collaboration, support member welfare and create a conducive environment for Ugandan music to prosper nationally and internationally.
A Uganda where musicians are valued for their cultural and economic contribution, enjoy their full rights and benefits, and have access to opportunities that allow them to reach their potential.
The Uganda Musicians Association (UMA) traces its roots to the Save Ugandan Music initiative started by singer Jose Chameleone in 2017.
At the time, Nigerian music dominated Ugandan radio, television, clubs and entertainment venues. Nigerian artistes were also being booked for a growing number of performances in Uganda. Chameleone believed Ugandan musicians needed to organise and work with media owners, DJs, promoters and venue operators to increase support for local music.
He approached radio presenter Isaac Katende, commonly known as Kasuku, and asked him to help develop a stakeholder engagement strategy. Their early plan focused on meeting bar owners, media executives, presenters, journalists and DJs to encourage them to play and promote more Ugandan music.
The first engagements involved artistes including King Saha, Weasel and King Michael. The team visited entertainment venues such as Club Silk, Casablanca, Cayenne and Riders Lounge. Several venue operators agreed to support a proposal that at least 70 per cent of the music played in their establishments should be Ugandan.
Following these early meetings, a WhatsApp group named Save Ugandan Music was created. It brought together musicians, media owners, entertainment entrepreneurs and other music industry stakeholders.
The group included figures such as Kin Karisa and Innocent Nahabwe. It provided a space for discussions about airplay, artist promotion, copyright, royalties and the wider organisation of Uganda's music industry.
Although disagreements emerged over the movement's immediate priorities, the discussions showed that musicians needed a permanent body through which they could speak collectively, address industry problems and engage government and private-sector stakeholders.
This process led to the establishment of the Uganda Musicians Association.
Ugandan musicians formally launched the Uganda Musicians Association on 28 November 2017.
UMA was founded in line with Article 29(1)(e) of the Constitution of the Republic of Uganda, which protects freedom of association. Its constitution and by-laws were registered with the Registrar of Documents in Uganda.
The founding executive leadership included:
UMA was established to provide musicians with an organised platform for representation, coordination and collective action.
UMA's founding mission was to protect and preserve Ugandan music. The Association was created to:
Membership was opened to musicians, vocalists, instrumentalists, music producers and artist managers. Honorary membership could also be granted to individuals whose work made a meaningful contribution to the music industry.
Registered members were eligible to receive membership identification and access services such as legal representation, music business information, seminars, workshops and industry development programmes.
UMA's early years focused on building unity among musicians and demonstrating the value of collective organisation.
The Association became involved in discussions about copyright administration, royalty payments, local music promotion, artist welfare and the governance of music industry institutions.
UMA also developed a working relationship with the Uganda Performing Right Society (UPRS), particularly around concerns about royalty administration, accountability and the payment of music creators.
The Association continued to encourage musicians to register their works, participate in collective management systems and strengthen the institutions responsible for protecting music rights.
UMA gradually expanded its work beyond Kampala by establishing regional structures and artist clusters.
On 6 November 2021, the Association supported its Elgon Region Cluster in Mbale with UGX 2 million for capacity building. Such initiatives formed part of UMA's wider plan to build regional participation and give musicians outside the capital a stronger voice in national industry discussions.
UMA also supported member participation in savings, welfare and economic empowerment programmes through organised SACCO structures.
As UMA developed, its role grew beyond responding to airplay concerns. The Association began addressing wider issues affecting musicians, including:
UMA also recognised that a successful music industry depends on many professionals, including artistes, producers, managers, instrumentalists, promoters, publishers, lawyers, media practitioners and other service providers.
This created a broader vision of an Association that represents musicians while working closely with all stakeholders who contribute to the music economy.
UMA has grown from a campaign for increased Ugandan music airplay into a national membership organisation representing musicians across Uganda.
The Association continues to advocate for fair treatment, stronger copyright protection, professional development, improved royalty systems and greater economic opportunities for musicians.
Its progress has included moments of debate, change and institutional reform. These experiences have helped shape an organisation that continues to learn, strengthen its systems and respond to the changing needs of Uganda's music community.
UMA remains guided by the belief that musicians achieve more when they organise, speak with one voice and work towards shared goals.
UMA continues to work towards a music industry in which Ugandan musicians can build sustainable careers, control and benefit from their creative work, access fair opportunities and contribute fully to Uganda's cultural and economic development.
The Association remains committed to unity, representation, accountability, professionalism and collective action.
Together, musicians are stronger.
Leadership structure reproduced from UMA's approved 2023 organogram. Corrections can be incorporated as the organisation updates its records.

President

1st Vice President

General Secretary

Treasurer

aka Daddy Andre
Head of Talent Development

Head of Diversity and Inclusion

Head of Women Affairs

aka Baba Raa
Director Legal Affairs

aka KS Alpha
Director Strategic Planning

aka President Lanek
Director Fundraising and Development

Director Community Outreach

aka Dr. Ronnie Uganda
Director Welfare

Director for Live Music Development

aka Cathy Vibes
Director of Creative Initiatives

aka Boss Lady
Associate Advisor for Mobilization

Administrative Assistant and Security Advisor
UMA honours colleagues whose commitment strengthened the association and the musicians it serves.

aka Master Parrot
Membership Services Coordinator

Associate Advisor for Talent Development

Policy Board

Elderly Committee
aka Lanisha
National Coordinator
aka Evy Treyz
Regional Coordinator
aka Geo Bless
Regional Coordinator
Regional Coordinator
Email: info@umaonline.org